Courage to Be chapter 5
Feb. 23rd, 2025 12:13 pmThis was a very long chapter (comparatively) and so even though I was interested it was a bit of a slog. I think I need to go back to poetry on the weekends, since this felt more like researching a lecture than doing a meditative activity.
This chapter was on Courage and Individualization--self-affirmation without participation, "out of the bondage of collectivism." So that kind of set the tone for me, and I was not into his valorization of individualism (and existentialism), though by the end of the chapter I could kind of see why he took the tone he did. The first part of the chapter was on the rise of individualism--how Protestantism was still mostly authoritarian conformism; the Enlightenment courage to be oneself meant following reason, defying irrational authority but also transforming reality rather than Stoically accepting fate, and Romantic courage focused on the self-affirmation of one's uniqueness and accepting the demands of one's individual nature. Naturalism, which denies the supernatural, in the 19th c. still saw the anxiety of fate conquered by the self-affirmation of the individual as an infinitely significant microcosmic representation of the universe.
But, to set up existentialism (which he sees as far predating Sartre/Camus, and is basically connected to the confrontation with meaninglessness) he also talks about different thinkers, leading up to depth psychologists, talking about the destructive depths/demonic in the individual, so he mentions a lot of points of view that presage individualism, eg the Christian Fall, Plato saying man is estranged from who he really is, etc. He also has a lot of history of philosophy that might be interesting if you're ever teaching this.
19th c. existentialism he sees as connected to a protest to the rise of science and the technocratic state "in which people were transformed into things, into pieces of reality which pure science can calculate and technical science can control." He sees in both idealism and naturalism an attitude about the individual that "eliminate[s] his infinite significance and make him a space through which something else passes."
"The safety which is guaranteed by well-functioning mechanisms for the technical control of nature, by the refined psychological control of the person, by the rapidly increasing organic control of society--this safety is bought at a high price: man, for whome all this was invented, becomes a means himself in the service of means."
But the real generational crisis that provokes existentialism is a sense of loss of meaning which he ultimately connects to the 19th c. death of God. Existentialism is a response to this: what he calls the "courage of despair." He clearly favors the existentialist position and says Christians should decide for truth rather than safety. "The courage of despair, the experience of meaninglessness and the self-affirmation in spite of them are manifest in the existentialists of the 20th century." He has a really interesting discussion of the expression of existentialism in modern art that might be interesting if you ever teach religion and the arts. These artists see the meaninglessness, participate in despair, and have the courage to face it and express it.
He does talk about Sartre, and his statement "the essence of man is his existence;" by this he means humans have no essential nature except which they themselves create. The courage to be oneself is the courage to make oneself what one wants to be. This is a radical and challenging courage, and while artists can express it creatively, many fail; cynicism is one response to the threat of meaninglessness. Another is the corruption of earlier collectivism; the communist hope for eliminating slavery becoming a totalitarian communism that enslaves all, or the Nietzschean courage becoming fascist dictatorships.
This chapter was on Courage and Individualization--self-affirmation without participation, "out of the bondage of collectivism." So that kind of set the tone for me, and I was not into his valorization of individualism (and existentialism), though by the end of the chapter I could kind of see why he took the tone he did. The first part of the chapter was on the rise of individualism--how Protestantism was still mostly authoritarian conformism; the Enlightenment courage to be oneself meant following reason, defying irrational authority but also transforming reality rather than Stoically accepting fate, and Romantic courage focused on the self-affirmation of one's uniqueness and accepting the demands of one's individual nature. Naturalism, which denies the supernatural, in the 19th c. still saw the anxiety of fate conquered by the self-affirmation of the individual as an infinitely significant microcosmic representation of the universe.
But, to set up existentialism (which he sees as far predating Sartre/Camus, and is basically connected to the confrontation with meaninglessness) he also talks about different thinkers, leading up to depth psychologists, talking about the destructive depths/demonic in the individual, so he mentions a lot of points of view that presage individualism, eg the Christian Fall, Plato saying man is estranged from who he really is, etc. He also has a lot of history of philosophy that might be interesting if you're ever teaching this.
19th c. existentialism he sees as connected to a protest to the rise of science and the technocratic state "in which people were transformed into things, into pieces of reality which pure science can calculate and technical science can control." He sees in both idealism and naturalism an attitude about the individual that "eliminate[s] his infinite significance and make him a space through which something else passes."
"The safety which is guaranteed by well-functioning mechanisms for the technical control of nature, by the refined psychological control of the person, by the rapidly increasing organic control of society--this safety is bought at a high price: man, for whome all this was invented, becomes a means himself in the service of means."
But the real generational crisis that provokes existentialism is a sense of loss of meaning which he ultimately connects to the 19th c. death of God. Existentialism is a response to this: what he calls the "courage of despair." He clearly favors the existentialist position and says Christians should decide for truth rather than safety. "The courage of despair, the experience of meaninglessness and the self-affirmation in spite of them are manifest in the existentialists of the 20th century." He has a really interesting discussion of the expression of existentialism in modern art that might be interesting if you ever teach religion and the arts. These artists see the meaninglessness, participate in despair, and have the courage to face it and express it.
He does talk about Sartre, and his statement "the essence of man is his existence;" by this he means humans have no essential nature except which they themselves create. The courage to be oneself is the courage to make oneself what one wants to be. This is a radical and challenging courage, and while artists can express it creatively, many fail; cynicism is one response to the threat of meaninglessness. Another is the corruption of earlier collectivism; the communist hope for eliminating slavery becoming a totalitarian communism that enslaves all, or the Nietzschean courage becoming fascist dictatorships.